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The works of contemporary architecture should be observed with the same interest and respect that is reserved for the ancient monuments and, probably, the Italian architects with whom I worked have appreciated my experience on cultural heritage. Now that I live mainly in Tokyo, I confront myself with great enthusiasm with Japanese architects and their elegant works. 日本語


Working with magazines such as Casabella, Abitare or Domus has helped to shape my style, first dry and rigorous, now more and more warm and popular also because, finally, contemporary architecture, thanks to the internet, begins to interest an increasingly public vast that he understood that in order to look for beauty he must not look only in the past. 日本語


At the age of 23, with my first work for the photographic cataloging of cultural heritage, my "mission" began to spread, through publishing, the love for the old visa no longer as a museum object or as a mute building but as a place to live. Now, in Japan, I am more focused on the contemporary but I hope I can also work with the art and architecture of the past. 日本語


Hotels like some shops, cafes or restaurants are a great example of architecture and art that affect all our senses and this is what I try to convey with photographs. In these places you can find the synthesis of "the art of living", a luxury that in  Italy is expressed with a noisy pomp of Baroque or Renaissance origins and in Japan with silent and elegant sobriety. 日本語


I have often set up exhibitions to present books with my photographs and sometimes I work on projects that I propose to publishers or gallery owners. Now I am concentrating on two exhibitions: the first will show the Japanese an unprecedented Italian landscape characterized by the architecture of the last 20 years. The second includes an exhibition in Italy on contemporary Japanese architecture. 日本語